
He Did Not See Any Americans blue, 2006, oil on linen, 4 elements. 33 x 102 in. / 83.8 x 259.1 cm. Text: U.S. government document. © 20015 Jenny Holzer, member Artists Rights Society (ARS), New York. Used with permission.
Index
EDITORIAL INTRODUCTION
Pat Badani, Editor-in-Chief
GUEST EDITORIAL STATEMENT
Paul Benzon and Sarah Sweeney
ESSAYS
POWER
In the Dead Letter Office
Joshua Craze
Version Control
Seth Ellis
CAPITAL
Erasing in the algorithmic extreme: Mimi Cabell and Jason Huff’s American Psycho
Kaja Marczewska
Untitling Landscapes
Justin Berry
SIGNAL AND NOISE
Habits of Experience, Habits of Understanding
David Gyscek
Local Colour
Derek Beaulieu
TECHNOLOGY
Opening a Worl in the World Wide Web: The Aesthetics and Poetics of Deletionism
Amaranth Borsuk, Jesper Juul, and Nick Montfort
Unprojections, or, Worlds Under Erasure in Contemporary Hollywood Cinema
Torsa Ghosal
The Disintegration Loops
Paul Benzon
ARCHIVE
Between Archived, Shredded, and Lost/Found: Erasure in Digital and Artistic Contexts
Ella Klik and Diana Kamin
The Refresh: Digital Destruction and Mystic Writing
Matthew Schilleman
REVIEWS and REPORTS
Chris Salter’s Alien Agency
Orit Halpern
Burning Down the House, Gwangju Biennale 2014
Ahyoung Yoo
The Hypertext of HerMe(s)
Marie Leduc
Fellowships, Residencies, and Resonances: A Self-Interview
Gail Kenning
2015 Triennial: Surround Audience at the New Museum
Paul Thomas Rubery